The majority of architectural realisations currently standing date from after 1945. In Czechoslovakia, in the period between 1948 and 1989 this production emerged in the context of socialist central planning, to which all architectural, urban, design and construction activity was subjugated. In the background of creative work lay the government bodies making essential decisions related to the assignment of work, its subsequent financial compensation, and no less finally its realisation. Undeniably, the conditions under which architecture is practiced are among the deciding factors of its ensuing quality. Our research takes as its goal the analysis of the functioning of project institutes to create a new standpoint for viewing postwar architecture and construction, and to expand our awareness of architectonic production in connection to its political-economic context. Here, it is essential to uncover the structure and pay attention to the mutual links between individual project institutes and ateliers, their employees, or even their individual projects.
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